Midnight Ghost Train Debut New Song
Buffalo, the latest full length from The Midnight Ghost Train, began like most records do: as ideas ricocheting between singer and guitarist Steve Moss, bassist David Kimmell and drummer Brandon Burghardt on Moss’ 500-acre ranch in rural Kansas.
But the stage is where these soulful, riff-driven monsters found their shape. “We never are sure about a song until we do it live,” Moss says. “I can’t tell you how many songs we have thrown out after playing them live once.”
To be sure, Moss, Kimmell and Burghardt have spent years honing their live chops the way Marines do basic training. Since 2007, the band has criss-crossed the United States 13 times and Europe twice, earning loyalty from fans through exuberant, jaw-dropping shows that left only one question: how to capture this on tape.
Enter David Barbe, whose credits include R.E.M., Drive-By Truckers and Bob Mould. Moss’ first phone call with the producer-engineer sealed the deal. “He said, ‘I promise you I will help you make this record sound just like your live show – just as intense and just as real.’” This past March, the band joined Barbe at Chase Park Transduction Studios in Athens, Ga.
Buffalo unfolds as a thrilling, 30-minute blues-based behemoth. Burghardt’s tribal tom work kicks off the record’s satisfying one-two punch, “A Passing Moment of Madness” and “Henry.” “Foxhole,” the first single, finds Moss calling up fat, nasty grooves matched by Kimmell’s stormy bass lines. “Tom’s Trip” flips the script slightly, revealing itself as a trance-induced journey that recalls the best characteristics of – if you have to say it – stoner rock. But just when you think the Train has one speed, in comes an a cappella rendition of Lead Belly’s “Cotton Fields,” a taste of the band’s affinity for gospel, stomp-clap numbers and adding spiritual dimension.
The volume knob is never far away, and Buffalo reignites with murder ballad “Southern Belle” while “Into The Fray” gallops off on Burghardt’s blood-and-guts drum parts underneath Moss and Kimmell’s satisfying interplay.
“We wanted the sound of this record to be tangible,” Moss says. “We wanted you to be able to close your eyes and feel and taste the sweat and blood that we give off on stage.” Consider the job done.
Pre-order Buffalo on CD and limited edition LP, with the first 500 LPs pressed on ox-blood spatter-and-opaque wax, now at www.karatebodyrecords.com/the-midnight-ghost-train. All orders ship after July 4. “Foxhole” will be released as a single to digital retailers later this spring. For current tour dates, visit www.themidnightghosttrain.com.
Band Website: www.themidnightghosttrain.com