Micro-review Fest, 2012: 5 doom/stoner bands, including Badr Vogu, Pelican, 16, Elder and Low Gravity!
Self-described as Blues/ Death Metal/ Ghettotech, from Oakland, CA, Bädr Vogu and their long player, Exitium, are a second generation Cough (who, it could be argued, are a second-generation Electric Wizard); now, while I love me some Cough and EW, Bädr Vogu don’t quite hit those standards: the drums are a bit stiff, the death-growl vocals seem a bit forced… but overall, at jet engine volume, this is a pretty rocking collection of tunes, particularly “Slumlord Blues,” with its lurching, evil blues….
April 20, 2012 | Categories: Album Reviews | Tags: 16, album review, ataraxia/ taraxis, badu vogr, deep cuts from dark clouds, deep roots stirring, Doom, Elder, incarnadine, Low Gravity, Pelican, psych, rock, sludge, stoner | Leave a comment
Of course you are. That’s why you’re here, among other devotees of the Ostinato, in whatever form(s) it may take. Today, we have three up and coming perveyors of the Riff: Demon Lung, Prong, and Crystal Viper. (more…)
Since Horseback Battle Hammer was my number 5 album of 2010, I was psyched to hear this one; so, through my bassiest active noise-reduction headphones, and then through my tank-like if outdated speakers as-loud-as-holy, I listened to the newest Conan opus, Monnos.
“Hawk as Weapon” opens, followed by “Battle in the Swamp,” both reiterating Conan’s MO: the Riff At All Costs– with some drums and bass and, oh yeah, a distant clarion call of a vocal in the background… it’s Clash of the Titans as doom metal soundtrack, or Robert E. Howard’s playlist of choice– Weird Tales as a metal ‘zine. “Battle in the Swamp,” at its end, manages to sound like an Antediluvian Helmet, one even more savage, crude and primal…. (more…)
First, the announcement of the upcoming reissue of Dopesmoker, and today one De Vermis Mysteriis….
Here’s the review slurry, everything in one paragraph:
“Serums of Laio,” starts things off: bombast, staccato drum hits with riffs down in C and the faintest hint of a melody in the chorus, “Bloody Knuckles,” again with the tribal drums over a palm-muted, Sleep-on-amphetamines riff which becomes a “Dazed and Confused”-esque riff and then back to Mötorhead tunage… “Fertile Green” says fuck you, you’re not tribal enough to all the drums up to this point in its intro, before becoming Discharge-meets-Bad Religion in its furious downbeating riffage… “Madness of an Architect,” now with the tribal riff added to said drums to begin to succinctly suggest the dominant musical themes herein, baby… “Samsara” the Sabbathian instrumental… (more…)
Deathhammer is prototypical “brutal” death/ doom metal: i.e., grunted/rasped vocals over wildly-detuned-yet-fairly-simple riffs– It’s more primal, simpler, than Martin van Drunen’s other extant outfit, Hail of Bullets…
There’s two types of songs herein: fast/deathy and slow/doomy. Thus follows the highlights of either category….
“We Doom You to Death,” is particularly memorable and a great riff in general, like a European Sleep tribute band… “As the Magma Mammoth Rises” is a 7-minute-ish lurching doom-metal-by-way-of-death-metal tune: they’re both great, and yet though somehow slow and low-tuned, somehow still reminiscent of Hail of Bullets without being an obvious ripoff the said act… more like Death (the band and the phenomenon) on Quaaludes…. (more…)
Based out of Calgary, Alberta, Mares of Thrace is guitarist/vocalist Thérèse Lanz and drummer Stefani MacKichan. They play largely-improvised alterna-doom metal. The Pilgrimage tends to sound like a combination of Kylesa and Black Cobra.
Lyrically, there’s three acts, with subordinate tunes under them– we open with “Act I: David Glimpses Bathsheba,” and its lurching doom riffs, and there’s three tunes during that act; next we hit “Act II: Bathsheba’s Reply to David,” two more items of tunage, and then “Act III: A Curse Falls on the House of David,” which then finishes out with two more.
They’re pretty patently doom, which means (if you’re new to this site), (more…)
Two, any band that describes themselves as “blues/ jam band/ metal” is worth at least checking out;
Three, their lyrical themes are classified as “epic journeys, weed, sea monsters…”;
Lastly, all this positive foreshadowing actually pays off: this is cool shit. Doomy, screamed sludge metal. “Bab el-Mandeb” is a great sludge tune, “Erroneous Maximus” rocks a vaguely-funky California stoner riff, “Trichome Oddyssey” is a wildly-heavy Pink Floyd, and “Iron Vulture” is the lost Sabbath tune they wish they wrote.
As near as I can ascertain, they’re a three-piece from London. Hopefully they’ll explode over the next few years. They should.
amazon.com link ($6!)